Description

A luxurious, eclectic living room featuring two totora armchairs by malabar in the foreground. The armchairs have circular backs and seats upholstered in a zebra-patterned fabric, supported by sculptural, cone-shaped wooden legs with tiered rings. In the background, a vibrant sapphire blue mon ooh sideboard features intricate geometric carvings. On top of it sits the light blue cactus table lamp by creativemary. The back wall is covered in textured brown wallpaper, centered by a large expressionist painting of a black horse with a reclining figure on its back against a deep red background. The room is illuminated by a tortona suspension lamp with brass arms and a red arch. The floor is light wood with black diamond accents, partially covered by a jagged-edge rug in terracotta and blue geometric patterns.

A studio composition featuring three totara armchairs by malabar, showcasing a sculptural postmodern design. Each armchair has voluminous, circular seat and backrest cushions upholstered in misia fabric with textured organic patterns in shades of green, earth, and grey. The back structure is defined by a dramatic arch in high-gloss black lacquer, resting on two chunky conical legs featuring handcrafted oak and smoked walnut checkerboard marquetry. A third central cone-shaped leg in black supports the front. The set is arranged against a neutral, warm-toned background, highlighting the statuesque silhouette of the pieces.

A front-facing studio shot of the totara armchair by malabar. The armchair features circular, plush cushions upholstered in a textured brown and ochre misia fabric with an organic, tiger-stripe pattern. The sculptural design is anchored by a high-gloss black lacquer arch and a central black conical front leg, contrasted by two rear conical legs featuring horizontal oak and smoked walnut marquetry stripes.

A front-facing studio shot of the totara armchair by malabar. This version is upholstered in a forest green and beige misia fabric with a rhythmic, textured pattern. The armchair's avant-garde silhouette is highlighted by its architectural black lacquer arch and distinctive striped wood marquetry legs, blending natural materials with bold, modern geometry.

A front-facing studio shot of the totara armchair by malabar. The seat and backrest are upholstered in a sophisticated charcoal grey and cream misia fabric with an organic textured pattern. The monochromatic tones of the upholstery complement the high-gloss black lacquer elements and the precision of the handcrafted oak and walnut marquetry on the conical rear legs.

A front-three-quarter studio shot of the totara armchair by malabar. The piece features a thick, circular seat and a smaller round backrest, both upholstered in a textured brown and ochre misia fabric with a rhythmic, organic pattern. A signature high-gloss black lacquer arch frames the backrest, transitioning into two rear conical legs decorated with horizontal oak and smoked walnut marquetry. A single, solid black conical leg supports the front. The chair is set against a warm, neutral background.

A lifestyle studio image featuring the totara armchair by malabar. A person dressed in black is seated on one armchair, holding a bright pink book in front of their face, while a second armchair is positioned next to them. The photo highlights the armchair's unique silhouette, including its patterned misia upholstery, dramatic black lacquered arch, and distinctive striped wood marquetry legs. The composition emphasizes the chair's function as both a comfortable seat and a statuesque, artistic object within a minimalist, warm-toned space.

This image showcases a dynamic, conceptual display of the totara armchair by omer ozturk. While the previous image focused on the intricate textures of a single piece, this composition highlights the chair’s versatility and sculptural silhouette through a variety of colorways and finishes.

A rear-three-quarter view of the totara armchair by malabar, highlighting its architectural construction. This angle showcases the full curve of the glossy black lacquer arch and the detailed craftsmanship of the striped wood marquetry on the two large conical rear legs. The circular misia fabric cushions are visible from behind, emphasizing the chair's voluminous, sculptural form. The piece is presented on a smooth, warm-toned studio surface.

A rear-three-quarter view of the totara armchair by malabar. The chair features charcoal grey and cream misia fabric upholstery. The perspective showcases the structural contrast between the soft, patterned cushions and the rigid, high-contrast elements: the black lacquered back arch and the precision-crafted striped wood marquetry legs.

Totara Armchair

Totara is conceived through the relationship between mass and void, where a powerful volume, rooted in the language of ancient arches, frames and defines the act of sitting.

At its core, the seating area exists within an architectural cavity. The enveloping form operates as a protective shell, establishing a dialogue between the interior’s softness and the exterior’s structure. Upholstered in premium jacquard velvet, the inner surface introduces tactility and comfort, contrasting with the assertive geometry that surrounds it.

This interplay extends to the base, where marquetry craftsmanship legs bring together oak and smoked walnut wood veneers. The legs are not merely structural elements, they reinforce the piece’s narrative of material contrast and compositional balance, bridging tradition and contemporary expression.

The Totara armchair reflects postmodernism’s engagement with historical references, yet it does so with restraint and clarity. Rather than relying on overt dramatization, it achieves presence through proportion, silhouette, and material articulation.

Positioned within a space, the Totara operates simultaneously as seating and as a sculptural object. It establishes a relationship with its surroundings, anchoring the environment while inviting interaction.

The tension between softness and solidity, between enclosure and openness, defines its character: strong, protective, and statuesque.